The Art Gallery recently has received four significant donations of art. Dr. A.
Kelly Maness, Jr. has donated a portion of his extensive collection of African art, which
has been on loan to the Art Gallery for the past year. Consisting of nearly one-hundred
objects related to women's fertility and healing, the Maness collection has become an
important resource for interdisciplinary teaching at the College. Highlights of the
collection are a fine early Dogon Kneeling Figure, a Baule Mouse Oracle, and a Bundu
(Women's Society) Mask from the Mende Peoples of Sierra Leone.
Dr. Maness has several ties to Guilford: he and his wife, Caroline (Class of
'89) serve on the Board of Visitors, his son, Peter, graduated in 2000; and another son,
Alex, attended in 1993. The Manesses have been ongoing supporters of the arts at Guilford,
working to raise funds for the Ed Lowe Memorial Scholarship Fund, in addition to
financially supporting several exhibitions and educational programs at the Gallery. During
the 2001 Spring semester, Sara Miller, a junior art major, will intern with the Gallery
and work with cataloguing this collection. We are very grateful to Dr. Maness for
providing Guilford with this rich and meaningful group of sculptures.
Ed and Vivian Bauman are also long-time major supporters of Guilford College. The
Bauman Telecommunications Building is named in their honor, and Ed currently serves on the
Board of Trustees. In May 2000, their gift of two million dollars to the Our
Time in History Capital Campaign was announced. Now, with their gift of an
oil-on-canvas self-portrait by the contemporary West Virginia artist William Wolk, they
have become generous donors to the Art Gallery as well. Their gift is considered by some
to be among Wolk's most valuable works since it combines elements from his most popular
genres: still life, the swans of the Greenbriar Resort, and the human figure.
The third gift is from Jennifer and Alan Pensler '74. Alan, who is director of Pensler
Galleries (Dupont Circle, Washington, D.C.) has provided the Gallery with many notable
works of art since its inception. Their most recent donation includes a color woodblock
print by the 19th century Japanese artist, Kunisada; a 14th century Italian illuminated
manuscript; an unusual cliché verre by William Paxton MacGregor, and drawings by Abraham
Walkowitz, Oscar Bluemner, Joseph Stella, and an unknown artist after Annibale Carraci.
Recent Guilford alumna, Abigail Blosser Harris '97 has donated her series of
twenty-eight black and white photographs, which document her experiences volunteering at
the Greensboro Pathways Shelter for Homeless Families while she was a student at Guilford.
Abigail produced this outstanding body of work as a junior art major, and additionally
prepared it as a nationally traveling exhibition. The Art Gallery exhibited this
series, titled, Kids are Kids, during the Photoblitz! symposium in 1999, and
now will have them in an ongoing display in Founders Hall near the Experiential Learning
Offices.
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Several works from the permanent collection are on loan to other museums during the
spring semester of 2001. The Dalton Galleries at Agnes Scott College (Decatur,GA) has
borrowed Josef Alber's book/portfolio Interaction of Color for their exhibition,
"Book Unbound," January 25 - March 30. A catalogue is being produced in
conjunction with the exhibition. Guilford alumna Amy Parry is Gallery Assistant at
the Dalton.
Nine works by Robert Broderson are being loaned for a retrospective exhibition of
the artist's, organized by Andrew Liss, a graduate student in arts management at Virginia
Technical University in Blacksburg, Virginia. After opening at the Armory Art
Gallery at VT, the show will travel to the William King Regional Arts Center in Abingdon,
VA. Broderson lived in Independence, Virginia prior to his death in 1992. A
color brochure, illustrating Guilford's "New Myth Mine Disaster," is being
produced in conjunction with this exhibition.
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Over the College's Thanksgiving holiday, a pipe burst in an air handler mounted on the
roof over the Art Gallery. The resultant flooding was not discovered until the Library
re-opened four days later, and by that point, more than one-thousand gallons of water had
leaked into the room. Fortunately, there was not an exhibition on display, and thus, no
work of art was damaged. A disaster restoration service was called in immediately, and
with their assitance and powerful equipment, the gallery was dried out within two days.
The scheduled exhibition of prints from the "Yale at Norfolk" portfolios was
cancelled so that repairs to the ceiling, baseboards, and carpeting could be made.
The air handler has been repaired, and additional safety measures have been taken to
prevent a similar accident from recurring. The Gallery is grateful for the timely
and generous assistance of Housekeeping, Business Office, and Library staff during
this difficult time.
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The lecture, "The Spiritual Pilgrimage of Fritz Eichenberg," given by Philip
Harnden, on October 4, 2000, during Guilford's presentation of Eichenberg's retrospective
exhibition, is to be published as a Pendle Hill pamphlet. Pendle Hill is a Quaker retreat and study center
located near Philadelphia, Pennsylvania. Eichenberg, who became a Quaker in 1940, produced
two other Pendle Hill pamphlets himself, one an autobiography, and the second titled,
"Art and Faith."
Harnden, an author and former publisher of the Other Side (a radical Christian
activist magazine), interviewed Fritz Eichenberg in 1985. Gallery Director Theresa Hammond
read this interview, and contacted him via the internet. Now living in the backwoods
of northern New York state, he grows vegetables and works with the American Friends
Service Committee on a variety of programs involving the Mohawk and Seneca Nations.
Although he had not kept a copy of the Eichenberg interview tapes, he agreed to
prepare a talk based on his rememberances of the man. All those in attendance at the
lecture were impressed by Harnden's poetic speech and his thoughtful, scholarly, treatment
of his subject. At the conclusion of the event, a suggestion was made by Ted Benfey (Dana
Professor of Chemistry and History of Science Emeritus) to submit the manuscript to Pendle
Hill. Guilford's new library director, Mary Ellen Chijioke, serves on Pendle Hill's
Publications Committee and she encouraged the author as well.
Approximately one month later, approval by the Pendle Hill Publications Committee was
secured, and the pamphlet was scheduled for printing in December 2000. Contact Pendle Hill for purchase inquiries.
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Get ready alumni artists! It's time for the second Alumni Art Exchange and Exhibition!
Scheduled for the second half of the 2001 Fall semester, the event will coincide with the
College's Homecoming Weekend. Plan now to be a part of this event! Exhibit entry forms
will be mailed to all art alumni later this spring and is available for other alums
by clicking here. Please contact Art Gallery director & curator Terry Hammond if you'd like to participate or
volunteer to help organize the schedule of events.
The first Alumni Art Exchange and Exhibition was held in March 1996, and featured a
day-long symposium with a keynote presentation by Jack Lindsey '81, Curator of American
Decorative Arts at the Philadelphia Museum of Art, and alumni panel discussions concerning
graduate schools and advanced education, professional opportunites in museums and
galleries, art education, art businesses, and life as practicing fine artists. The
exhibition, which was juried by art faculty members and the gallery's curator, featured
works by nearly fifty alumni artists in a wide range of media. A special reception
honoring the participants was held at the home of Kelly and Caroline Maness.
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